3.31.2010

Simply



















shop on Tin Lok Lane © kjm

I'm working in Hong Kong this week, and this is my first trip here. As always, I can't show any of the images I'm making for the editorial assignments I'm working on, and my brain is a little drained to make many personal pictures. But I'm so amazed and impressed by this city. For its size and density, I find things wonderfully organized (maybe the best subway system I've ever been on?), calm and non-threatening. Tonight a police van buzzed by me, and I realized that I've been here for 5 days, and it was the first siren I'd heard. More thoughts to come...

3.28.2010

as seen: flight pattern










flamingos and shadows, Kowloon Park © kjm

3.25.2010

absence























S. Broadway Avenue Location, #3 © kjm

3.18.2010

within reach: crinkle



















after the thin mints © kjm

As gastronomic traditions go, this may be my oldest: I believe I've indulged in thin mints every year since I bought my first box from Lisa Purcell in the third grade.

[within reach is a series of photographs examining the environment of home in detail]

3.16.2010

Kelly Shimoda on collect.give
















Before lunch: Flaccanicco, Italy © Kelly Shimoda

Kelly Shimoda offers a beautiful 11x14 print today on collect.give. I've been a fan of her work for quite a while, and Marilu and I own one of her 20x200 prints. And if you haven't seen Kelly's text message project, it's worth a visit: I guess you don't want to talk to me anymore.

3.14.2010

beginning









© Heinz Kluetmeier, left, © E. Jason Wambsgans, right

This past weekend, I was a judge and speaker at the Wisconsin News Photographers Association convention - a gathering of newspaper photographers from around the state. I spent my first 10 years working in newspapers, and I still feel a kinship to the industry. Fellow judges for the year-end contest were Erv Gebhard, a retired photographer from the Milwaukee Journal, whose work I admired for many years in my hometown paper, and Chicago Tribune photographer E. Jason Wambsgans, who brings artistry and a unique eye to daily newspaper stories and multimedia pieces.

The biggest pleasure was reconnecting with Heinz Kluetmeier, the longtime Sports Illustrated photographer and keynote speaker at the convention. For several years during high school, when Heinz still owned a house in Milwaukee, he was very kind to this young, want-to-be photographer. He had me assist at games for him and for other photographers, lent me camera gear, and generally encouraged my interest in the profession. His life experience was certainly inspiring, and I realized later that his generosity of time was, as well.

One of the most interesting things he said to the group of daily newspaper photographers, was this: "The most important pictures you make are often within 10-15 miles of your home."

The same can be said for sources of youthful inspiration.

3.09.2010

325























© Tom Owens (junior at the Milwaukee Institute of Art & Design)

If you haven't visited MIAD-FA382 lately, I don't blame you - the Professional Practices class concluded with the Fall semester, and the blog won't feature new student work until this coming August.

But do you like reading photographer interviews? I ask because we're continuing to post them to the site. We're up to over 378 links to interviews with photographers and industry professionals, from terrific sites like Feature Shoot, NYMPHOTO, American Suburb X and Too Much Chocolate.

How about one per day over your morning coffee?

3.03.2010

i love this photo, #37


















© Roderik Henderson

I love this photo by the photographer Roderik Henderson. It comes from Henderson's series, Transvoid, for which he recently won a World Press Photo award. Henderson describes the series below.

Transvoid is a series of portraits of individuals sheltering in their vehicles at snow covered parking lots in British Columbia. Together with my family, I lived in the wilderness of British Columbia, Canada for some years. A place without grocery stores, electricity, phone, television or neighbors. Weeks would pass without seeing anyone. We became a crowd of four when our baby Sid was born. To get to the nearest town, we drove almost three hours one way through mud, snow or ice.

I started photographing other people who had to spent lots of time in their vehicles. A Native family from a first nations reserve going to town on Friday. A priest giving a sermon in a small church in a remote valley. A couple who couldn’t afford the rent of their apartment anymore and were now actually living in their car. A guy slowly dying on a parking lot. A guy traveling to see his sick brother on the other side of the continent.

The time spent waiting interests me, the void between point of departure and destination. In Transvoid, I regard the vehicles as solitary domains in time and space.

[See past 'i love this photo' entries here.]



3.01.2010

Max S. Gerber on collect.give























© Max S. Gerber

Max S. Gerber offers this print, Mother Nature Doth Provide, today on collect.give. Max is the author of an amazing and compelling book, My Heart Vs. The Real World, and is known for his editorial and commercial portrait work in Los Angeles.

2.27.2010

within reach: to























from marilu © kjm

[within reach is a series of photographs examining the environment of home in detail]

2.25.2010

i love this photo, #36



















© Shawn Gust

I love this photo by the photographer Shawn Gust. It comes from his series, the dream of becoming King, and of the image, Shawn says, "...the iconic Cadillac emblem seemed to almost project it's luster on the garage door. It seemed the perfect analogy to illustrate the fading of a "glitter and gold" ideal."

And here's his artist statement about the project:

The Cadillac. A symbol of luxury and status in the United States for decades. The American Dream. With society, the economy, and many of the planet's natural environments in jeopardy of all but vanishing before our eyes, so too is The American Dream.

[See past 'i love this photo' entries here.]


2.23.2010

still
























© kjm

On Saturday, Marilu and I explored Calvary Cemetery, a historic St. Louis cemetery dating back to 1857. Calvary neighbors Bellefontaine Cemetery, and both are dramatic in scale, landscape and their notable inhabitants - people like William S. Burroughs, Dred Scott, Tennessee Williams and William Clark. But of particular interest (and worthy of future visits) were the beautiful portrait photographs on many of the headstones of Catholic Italian Americans.

2.21.2010

within reach: pull
























blind strings © kjm

[within reach is a series of photographs examining the environment of home in detail]


2.19.2010

as seen: upstairs, downstairs











MCA Chicago: kids art class table (basement); Ryan Gander exhibit (third floor) © kjm

2.15.2010

brea souders on collect.give























Wasp Comb, 2007 © Brea Souders

Brea Souders is today the latest photographer to offer a limited edition print on collect.give. Twenty of her lovely 9x9" c-prints (above) will be sold to raise money for the Coalition to Restore Coastal Louisiana. Since launching in December, we've raised nearly $5,000 for eleven different and distinct causes. If you haven't stopped by, please do!

2.14.2010

sweet hearts



















© kjm

I was reminded this weekend how nice it is to laugh with Marilu.

2.10.2010

within reach: cast plastic























plastic cup shadows © kjm

[within reach is a series of photographs examining the environment of home in detail]

2.07.2010

as seen: drive/fly











model car and butterfly decal © kjm

2.04.2010

strength




















(blue) sky for Roberta © kjm

2.02.2010

as seen: heute morgen




















apple after breakfast, Munich hotel © kjm

1.31.2010

as seen: touch, sight











felt shop window, left; woody allen concert poster, right © kjm

1.30.2010

within reach: unshreddable




















just before shredding © kjm

[within reach is a series of photographs examining the environment of home in detail]

1.21.2010

sky above: the store


















sky above where grandpa Kimura's store was © kjm

1.19.2010

as seen: hunt



















guest bedroom, holualoa town © kjm

1.17.2010

respects























Auntie Leigh's grave © kjm

1.16.2010

as seen: lane



















Hilo gym before Auntie Lyn's tai chi class © kjm

1.14.2010

as seen: shells


















guest bathroom, honolulu © kjm

1.10.2010

as seen: view


















guest bedroom, holualoa © kjm

1.04.2010

as seen: pink


















guest bathroom © kjm

12.31.2009

in the making
















© kjm

Marilu and I attended a party a few nights ago, in a lovely old St. Louis home. There was wonderful food, lots of new (to us) interesting people, and a performance of live music. Three musicians, two of whom play with the Chicago Symphony, performed a Mozart piece to a crowd of about 50 - it was quite a treat.

While we listened and watched the musicians, it made me think about artistic creation - the act of making. The music we heard wasn't being recorded, but was joyfully being made for those of us gathered that night. As photographers, what we make will ultimately be consumed/viewed on a piece of paper or as a digital image on a screen. But what about the joy in the process? I make hundreds of pictures each week, but is there a joy in creation each time I push the button? Obviously not, but there are still frequent moments when I know all the elements are coming together, and I'm about to make a really nice picture. My heart beats a little faster.

That feeling used to happen more often - perhaps more often than not, in my earliest days of taking pictures, when I knew less about the craft. Here's to still understanding the end product of what we create, but to not overlook the pleasure of actually pushing the button.